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Their family is the owner of Sunwoo Company and he has now become the successor of it. ![]() This character has been through a lot of hardships but through the thick and thin, he has tried to only smile and keep a jolly face. As for the main protagonist of the series, it is Gong Ma Sung. In fact, the story has been put out in the show with its own twists and turns that makes it very special. This is why the story might sound very familiar to some people but that does not mean that the plot isn’t executed well. ![]() There are so many plots around the world that focus on the story where a character might be suffering from memory loss. Now, the main question that might be bubbling up in your head is if they pass through this difficult time and be together or not? To find the answer to this question, all you guys will need to do is tune in to Amazon Prime Video and watch the show. This automatically creates a connection between the two because this has never happened with Do Jae before. 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I just thought it was a nice metaphor for where we were trying to go with this.Īnne Marie: When you say “we,” you mean your collaboration with Christopher Nolan? An organ cannot exist-like a human being-without air, y’know? That’s what makes the sound. ![]() And the, the only thing that could make it work was breath. That at the same time it could, could make a car stall, but on the other hand it could be so lonely and so gentle. Not because it was going to make your car stall, but the idea of this beast. The organ, it’s a piece of 17th century technology, which is part of why I wanted to use it. Hans Zimmer: Well, we wanted to make it an experience, y’know? And it’s real! It’s not synthesized. Maybe we should put like a health warning or something.Īnne Marie: Well before my car stalled, I was thinking that it had been a while since I heard an organ in a film soundtrack. Hans Zimmer: Okay, we-I know we actually blew up an IMAX theater.Īnne Marie: You blew up an IMAX theater too? And I had a moment where I was like, “I don’t remember this happening in the movie.” And then I realized my car wasn’t moving! So your score actually stalled my car. Hans Zimmer: It’ll do that to cars!Īnne Marie: I was driving down the 405, I got to the big swell-Īnne Marie: I got to the big crescendo, and just everything went dead. I have to admit, my car stalled on the way here while I was listening to the Interstellar soundtrack! Y’know? And this is, this is, this is, every day he has to go to this horrible room! So, Richie doesn’t actually know this, but it was really partially because I thought, “Poor Richie, in this horrible environment! I’m going to do my own!”Īnne Marie: Well from such an environment, I can see where something dramatic like Interstellar came from. Hans Zimmer: Right? It’s horrible! And the walls, which have this y’know horrible hospital color, and I’m thinking, “This great man is trying to create art!” and y’know the bad linoleum floor. 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When I meet Hans Zimmer, he is deservedly proud of his workspace, and immediately launches into conversation. I'd been listening to Zimmer's Oscar-nominated score for Interstellar in the car, which had somehow led to my car stalling on the highway. When I'm led into the room for an interview, I'm still recovering from car trouble. ![]() Clashing with this rustic scene are the walls of musical instruments, blinking sound equipment, and Zimmer's high tech work station. Overstuffed couches and chairs sit on a raised platform. Light filters through stained glass-covered hanging lamps. The walls are deep red, and lined with dark wood bookshelves bursting with books, albums, candles, and knick knacks. The ten-time Academy Award nominated composer has furnished his studio in a manner that fits the man who wrote the dramatic scores to Inception, Gladiator, and the Dark Knight trilogy. ![]() Anne Marie here with an observation: Hans Zimmer's studio is incredible. ![]() |
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